Capable of being applied to both production and post-production stages.
- Category: Monitor
- Screen Size: 21.5 inch
Designed in the US, Armor No. 1 is a protective monitor carrying case compatible with Action AT-series monitors.We are redefining the future of monitor protection with this light, portable,shock-absorbent, and rugged solution.An indoor monitor can be transformed to a field monitor by simply covering Armor No. 1 within second without using tools.
The heat dissipation design enables monitor to work functionally in direct sun-exposed area during summer days.
Accurate color reproduction is one of the most important factors of a professional grade monitor. All AT Series monitors include 3D-LUT, complying with REC-709 color standard. We use CALMAN software to calibrate each ACTION monitor from the factory to ensure accurate image representation, as well as consistency across each unit.
We know that color reproduction is extremely important to directors and cinematographers.We create calibration record for each of our monitors, which can be obtained by scanning the QR Code on the left bottom corner of each monitor.
Quick and easy to operate is important to customers.AT-Series monitors allow you to control all functions with one single knob.The 6 function keys provide shortcuts to more frequent use functions.
We know and understand the customers’ needs in both production and post-production stages, and we add practical features into AT-Series monitors to meet their desires.Features include waveform, exposure analysis, framing, and focus assist tools, which allow users to work more efficiently.
By using modern industrial design system, the production line of AT-Series monitors is large-scale, industrialized, and standardized.This guarantees products’ consistency and durability, while greatly lowering the production cost. AT-Series monitors are industrial product as well as refined artwork.
AT-Series monitors can be adapted into various working environment from production to post-production stages.Equipped with Armor No. 1 carrying case, the monitor becomes suitable for exterior condition. VESA plate allows the monitor to be securely installed onto a light stand.
High strength aluminum-magnesium alloy body effectively protects monitor from impact.The entire monitor weighs only 4.7kg, which enables users to carry without much efforts.
Accurate color reproduction is one of the most important factors of a professional grade monitor. All AT-Series monitors include 3D-LUT, complying with REC-709 color standard. We use CALMAN software to calibrate each ACTION monitor from the factory to ensure accurate image representation, as well as consistency across each unit.
|Dimensiones||51.48 × 32.80 × 4.00 cm|
16:9 FULL HD 1920*1080 ,HIGH CONTRAST PANEL
SDI and HDMI VIDEO SIGNAL LUMINANCE WAVEFORM DISPLAY
FALSE COLOR, RAPID POSITIONING OF OUT OF LUMINANCE
SAFETY MARKS,MARKER SCALE,CENTER MARK
16 CHANNEL AUDIO METERS
SAFETY LOCK FEATURE
EMBEDDED 3D-LUT（Rec709, SMPTE-C, SRGB AND EBU）
F KEY USER-DEFINED
SUPPORT RUIGE PCC COLOR CALIBRATION SOFTWARE
INTELLIGENT LIGHT PERCEPTION, AUTO BRIGHTNESS ADJUSTMENT
|SCREEN SIZE||21.5′ LCD monitor|
|VIEWING ANGLE||HORIZONTAL 178°|
|DC INPUT POWER||12V DC|
|INSTALLATION||Desktop or VESA|
|VIDEO INPUT||3G/HD/SD-SDI 2 X BNC|
CVBS 1 X BNC
HDMI 1.3 X 1
|EMBEDDED AUDIO||16 CHANNEL|
DISPLAY 8 CHANNEL
AT ONE TIME
|SDI EMBEDDED AUDIO||SUPPORT|
|VIDEO OUTPUT||3G/HD/SD-SDI 1 x BNC|
CVBS 1 X BNC
|TALLY DISPLAY||DUAL-COLOR TALLY LIGHT|
3D Lut loading
B/P/D Series Monitor internally built in 3D-LUT Color Management System in accordance with unified industry standards and it uses professional testing equipment to take systematic and accurate calibration for monitors to ensure the display indicator of monitor meet the tolerance range of color space standard .Therefore, it ensures each monitor has the accurate color restoration and the color of same style monitors is consistent to the maximum extent.
The luminance waveform can be superimposed over picture (see below). The Y-axis represents the luminance level. There are two indicators; one at 100% and one at 700mv.
The Luminance waveform is mainly used to read the value of the Y signal. This is helpful for setting Camera Iris levels.
16 channels of embedded audio in the SDI video signal can be decoded and 8 selective channels can be shown on the screen at the same time. The Volume unit shows both VU and PPM.
The Volume unit is used for measuring audio levels and calibration. This is helpful for making sure that audio levels are within technical requirements and specifications.
Luminance levels can be represented using False Color on the screen. It represents the amount of exposure explained as color values ranging from Blue to Green to Yellow to Red.
False Color is used to assist in setting the camera exposure. Blue (cool color) indicates a low exposure, a darker blue indicates an even lower exposure. Red (warm color) indicates a high exposure and a deeper red indicates an even higher exposure. Green and Yellow are in between. A scan feature allowing the image to be offset to the upper left revealing the Luminance Waveform on the upper right makes it easy to identify parts of the picture which may exceed standards.
The zebra pattern is a reminder of the exposure of the subject. It is a highlight indicator. When shooting with a manual aperture, you can control the aperture according to the zebra pattern.
Usually when the brightness of the subject exceeds 80% of the maximum brightness that the camera can accommodate (this value is different depending on the model), zebra patterns begin to appear, so when adjusting the aperture, the brightest part of the subject should be Slightly zebra pattern, and no zebra pattern in other parts, so you can get accurate exposure. If there are too many zebra patterns, it shows overexposed; if there are no zebra patterns in any part of the image, the image is underexposed. At present, the level of the zebra pattern of some cameras is adjustable. It can usually be adjusted between 60% and 100% of the maximum brightness.
Safe & Area Marker
Image overflow or cutoffs can be checked using this feature. This is helpful during “Pan and Scan” as image is prepped for various broadcast markets. Ruige monitors have selections for Safety Marker Scales, Title Scales, Transform Scales and Center Cross. This is helpful for composition during shooting or title placement.
Only the blue portion of the video signal is displayed.
This is used for monitor color phase adjustment, level and calibration
Muti-Aspect Ratio Switchable
In order to adjust for correct scanning users can choose different Aspect ratios. Selections are: 16:9, 4:3, Letterbox, Pixel-to-Pixel, Over Scan and Built-in Scan.
Overscan is often used to programing for TV broadcast.
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